sábado 4 de julio de 2009

Chat

[0:23:02] -: q sos flaco o mina?
[0:23:07] [ MooLy, ] ...: mina
[0:24:18] -: ah y edad
[0:24:29] [ MooLy, ] ...: 18..
[0:24:43] -: alguna foto?
[0:24:55] [ MooLy, ] ...: na, x)
[0:25:30] -: booeee..flog?
[0:25:32] -: face ?
[0:25:34] -: algo
[0:25:44] [ MooLy, ] ...: no uso XD
[0:26:10] -: bien
[0:26:12] -: novio ?
[0:26:32] [ MooLy, ] ...: nop
[0:26:42] -: porcina?
[0:26:47] [ MooLy, ] ...: tampoco XD
[0:27:04] -: algun atributo ?
[0:27:13] [ MooLy, ] ...: solo lectura
[0:27:14] [ MooLy, ] ...: (?)

Jajajaj como se imaginarán "Mooly" soy yo, y "-" es algún especimen no identificado del cual no recuerdo nombre ni mail, (que para colmo no entendió el chiste ¬¬) jajajaja.
"Boooee", gracias por su atención, see ya in Hell.

jueves 2 de julio de 2009

Reciprocity


Not much to add..

viernes 26 de junio de 2009

El poder de la imaginación...

miércoles 24 de junio de 2009

Desk

Hola, esto se llama "Dios, mirá que quilombo, debería ordenar el escritorio".
:)



Bue, desde Caregua y el té que me tomé hoy a la mañana hasta quitaesmaltes y una botella de agua que me tomé en enero, todo es posible en la dimensión descosida (división Escritorios).
Aclaro porque la dimensión descosida, como toda entidad burocrática y misteriosa, está dividida en departamentos, y bue..

Saludos, ghostly-fans :)

domingo 14 de junio de 2009

Cortitas y al pie.

La semana pasada fue un caos, ayer fue el gulBACday, el martes tengo un parcial y millones de trabajos para hacer/entregar esta semana, y pienso estar un poco desaparecida (más todavía :|) asíque, nada.. Los quiero poquito :)

domingo 7 de junio de 2009

Escaping!

(Me quedó este post colgado desde la semana pasada, jajaja)


Un compañero de la facu nos pasó hace un rato a varios otros de mis compañeros y a mí un fucking jueguito demasiado adictivo que me tuvo varias horas intentando descifrar los fucking códigos para salir de la fucking habitación.
Y yo, que soy taaaan mala persona, les dejo a ustedes personas el link para que sean felices y también se envicien ^^

Los códigos ultrasecretos que tuve que emplear para salir =O

(eso sí, también dejo la foto de los acontecimientos en los que me vi envuelta y cómo me desenvolví, jajaja para que se rían de mis desgracias o las aprovechen para salir también..)

El juego: http://sagrarios.room.escape.fizzlebot.com/

Diálogo

M: Por favor, no hagas promesas sobre el bidet...
S: Que asco!
M: Porqué?
S: No sé, me imaginé alguien lavandose el culo diciendole a otro "Te voy a amar siempre".
J: Lo lógico sería alguien vomitando diciendo "No tomo más!"...
S: Eh, bueno.. Si, también.. Puede ser..

JAJAJAJAJA nada, nada, chiste interno. JAJAJA

viernes 5 de junio de 2009

El huevo-cortoon (jajaj)

Hola sí, vengo a expresar cortitamente (bueeena, inventate una palabra) mi radiante felicidad por el éxito de nuestro corto (cuya filmación, producción, edición y demás generalidades) tuvo lugar durante estas últimas dos semanas, y naaaaada eso =D toy contenta, salió todo re bien, a todos les gustó, quedó bien la edición, el sonido, todo todo todo =D y al profe le gustó y no hubo quejas ni correcciones y aii, soy feliz :)
No me gasto en agradecer a nadie ni nada de eso así muy ampliamente porque se que nadie de FOBA lee esto, pero bueno de todas formas re contenta que haya gustado, mil gracias a los que nos dijeron que quedó bueno o cómo lo habíamos hecho, de verdad :)

En cuanto pueda conseguir alguna foto de los personajes o lo que sea la pongo acá (están en la otra PC y no tengo ganas de ir a prenderla jajajaj) para que los conozcan ^^ y bueno, también me voy a buscar la forma de subir el corto a algún ladop.

Salutes! =D

AAAAAAAAAAAAAAAA

A ver si en algún libro de esos interesantísimos que venden por la calle, o en una de esas pelis pochocleras que estrenan todos los jueves, o abajo de alguna piedra o en la corteza de algún árbol o en el humo que dejan los autos, o en alguna nube pasajera, dice como hacer para bancarse el tiempo que supone verte de nuevo.
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA.
(Perdón, necesitaba expresarme.. O sea, expresarme sin tener que usar las palabras "te odio" -que no son necesariamente verdad- para explicar porqué odio tanto -mentira- que hayas aparecido en mi vida, porque antes podía vivir sin vos y ahora me ahogo un poquito más con cada palabra que me guardo por miedo, pero que necesito decirte. Mentira porque mis soldaditos -esos que hace ya mucho que no aparecen- y yo sabemos bien que ahora estamos mejor, que cambiamos Guatepeor por Guatemala y no al revés (por fin). Porqué odio -mentira- quererte cada puto día un poquito más, porqué odio -mentira- que estés "ahí" cuando te necesito, "ahí" pero no precisamente "acá", que no es lo mismo. Porqué odio -mentira- cada una de esas respuestas, que se bien que esconden mucho más de lo que muestran).
Y si ese libro, esa peli, esa piedra, ese árbol, ese humo o esa nube tienen la respuesta, entonces no me molestaría que se me cayera encima una estantería o me apuñalara ese libro, o me atropellara un VHS, o me tropezara con esa piedra, o ese árbol por una vez no me dejara esconderme atrás, o que ese humo me ahorcara y me hiciera toser, o esa nube me lloviera todo un día y me mojara y no me dejara ver. No me molestaría, con tal de que me responda si alguna puta vez voy a dejar de extrañarte.
Parece joda estar peor cada vez que hablo con vos, parece joda pero no es, porque el problema no es que hablemos, el problema es que te vas :(
Y tengo frío y lo sabés, y tenés la "solución" y lo sabés, jaja, y de verdad, de verdad, quiero que se termine (antes de empezar) nuestro invierno...

FUCK, me molesta mucho no tener el control de las cosas, me molesta mucho mucho, pero mucho, cuando las soluciones no están en mis manos o cuando van por encima de mis posibilidades. Me molesta, me fastidia, me satura, me desgasta, me da muchas ganas de putear, de mandarlos a todos a la puta que los parió (aunque no se si el problema es de la gente o de sus madres, o de hecho, sé que NO lo es). No importa, me hace querer golpear cosas, gritar fuerte, porque no es justo, repito NO-ES-JUSTO. Y si no soy de quejarme de las cosas que no tienen solución (como la muerte, la estupidez o que no haya helado en el freezer hoy), aunque generalmente me sienta molesta y no lo diga, hoy sí tengo ganas de quejarme de esas cosas sin aparente solución (o que la tienen, pero al menos no depende de mi), y también del frío, la distancia y el tiempo (que se hace el que pasa rápido siempre, a veces demasiado para mi gusto, y cuando tiene que ser buena onda va y pasa a paso de tortuga). No es justo que haga eso, debería ser igual para todos. Já, perá, como si el tiempo existiera... La que faltaba, quejarme de algo que no está, que no es. Creo que prefiero irme a dormir, a discutir con Charlie sobre la vida misma, parece ser el único que me entiende y ni siquiera tiene vida, pobre.
Menos mal que no me tiene que bancar.

SE VAN TODOS A LA MIERDA, he dicho. Y me cansé de todo, y mañana me robo un banco, asíque si alguien está leyendo esto y me valora, mandeme una torta, si es posible con una lima, o pague la fianza... O lo que más barato y accesible sea.
:(

(P.D.: A pesar de todo, hoy tengo en background una aparente felicidad de cuyos motivos voy a hablar en un próximo post, ese que voy a escribir pasadas las 6 de la tarde cuando me acuerde y cuando todo lo que dice arriba esté un poco más enterrado y no me arruine las ganas de vivir. Gracias por su atención.)

lunes 1 de junio de 2009

Short Story

TELLING STORIES
(by Maeve Binchy)

People always said that Irene had total recall. She seemed to remember the smallest details of things they had long forgotten — the words of old pop songs, the shades of old lipsticks, minute-by-minute reconstructions of important events like Graduation Day, or people's weddings. If ever you wanted a step-by-step account of times past, they said to each other: ask Irene.
Irene rarely took herself through the evening before the day she was due to be married. But if she had to then she could have done it with no difficulty. It wasn't hard to remember the smells: the lilac in the garden, the polish on all forniture, the orange blossom in the house. She even remembered the rich smell of the hand-cream she was massaging carefully into her hands when she heard the doorbell ring. It must be a late present, she thought, or possibly yet another fussy aunt who had come up from the country for the ceremony and arrived like a homing pigeon at the house.
She was surprised to hear Andrew's voice, talking to her younger sister downstairs. Andrew was meant to be at his home dealing with his relations just as Irene had been doing. He had an uncle, a priest, flying in from the African Missions to assist at the wedding. Andrew's grandmother was a demanding old lady who regarded every gathering as in some way centring around her; Irenes was surprised that Andrew had been allowed to escape.
Rosemary, her sister and one of the bridesmaids, had no interest in anything apart from the possible appearance of a huge spot on her face. She waved Andrew airily upstairs.
'She's been up there titivating herself for hours,' Irene heard her say. Before she had time to react to Rosemary's tactlesness, Irene heard Andrew say 'Oh God', in a funny, choked sort of voice, and before he even came into the room, she knew something was very wrong.
Andrew's face was as white as the dress that hung between sheets of tissue paper on the outside of the big mahogany wardrobe. His hands shook and trembled like the branches of the beautiful laburnum tree outside her window, the yellow blossom shaking in the summer breeze.
He tried to take her hand but she was covered in hand-cream. Irene decided that somehow it was imperative that she keep rubbing the cream still further in. It was like not walking on the crack in the road: f she kept massaging her hands then he couldn't take them in his, and he couldn't tell her what awful thing he was about to tell her.
On and on she went rhytmically, almost hypnotically, as if she were pulling on tight gloves. Her hands never stopped moving; her face never moved at all.
He fumbled for words, but Irene didn't help him.
The words came eventually, tumbling over each other, contradicting each other even, punctuated with apology and self-disgust. It wasn't that there was anyone else, Lord no, and it wasn't even as if he has stopped loving her, in many ways he had never loved her more than now, looking at her and knowing that he was destroying all their dreams and their hopes, but he had thought about it very seriously, and the truth was that he wasn't ready, he wasn't old enough, maybe technically he was old enough, but in his heart he didn't feel old enough to settle down, he wasn't certain enough that this was the Right Thing. For either of them, he added hastily, wanting Irene to know that it was in her interests as well as his.
On and on, she worked the cream into her hands and wrists; even a little way up her arms.
She sat impassively on her little blue bedroom-stool, her frilly dressing-table behind her. There were no tears, no tantrums. There were not even any words. Eventually he could speak no more.
'Oh Irene, say something for God's sake, tell me how much you hate me, what I've done to your life.' He almost begged to be railed against.
She spoke slowly, her voice was very calm. 'But of course I don't hate you,' she said, as if explaining something to a slow-witted child. 'I love you, I always will, and let's look at what you've done to my life... You've changed it certainly...' Her eyes fell on the wedding dress.
Andrew started again. Guilt and shame poured from him in a torrent released by her unexpected gentleness. He would take it upon himself to explain to everyone, he would tell her parents now. He would explain everything to the guests, he would see that the presents were returned. He would try to compensate her family financially for all the exprense they had one to. If everyone thought this was the right thing to do he would go abroad, to a faraway place like Australia or Canada or Africa... somewhere they needed young lawyers, a place where nodoby from here need ever look at him again and remember all the trouble he had caused.
And then suddenly he realised that he and he alone was doing the talking; Irene sat still, apart from those curious hand movements, as if she had not heard or understood what he was saying. A look of horror came over his face: perhaps she did not understand.
'I mean t, Irene,' he said simply. 'I really do mean it, you know, I wish I didn't.'
'I know you mean it.' Her voice was steady, her eyes were clear. She did understand.
Andrew clutched at a straw. 'Perhaps you feel the same. Perhaps we both want to get out of this? Is that whay you are saying?' He was so eager to belive it, his face almost shone with enthusiasm.
But there was no quarter here. In a voice that didn't shake, wit no hint of a tear in her eye, Irene said that she loved him and would always love him. But that it was far better, if he felt he couldn't go through with it, that this should be discovered the night before the marriage, rather than the night after. This way at least one of them would be free to make a different marriage when the time came.
'Well both of us, surely?' Andrew was bewildered.
Irene shook her head. 'I can't see myself marrying anyone else but you,' she said. There was no blame, regret, accusation. Just a statement.
In the big house, where three hundred guests were expected tomorrow, it was curiously silent. Perhaps the breeze had died down; they couldn't even hear the flapping of the edges of the marquee on the lawn.
The silencia was too long between them. But Andrew knew she was not going to break it. 'So what will we do? First, I mean?' he asked her.
She looked at him pleasantly as if he had asked what record he should put on the player. She said nothing.
'Tell our parents, I suppose, yours first. Are they downstairs?' he suggested.
'No, they're over at the golf club, they're having a little reception or drink or something for those who aren't coming tomorrow.'
'Oh, God,' Andrew said.
There was another silence.
'Do you think we should go and tell my parents then? Grandmother will need some time to get adjusted...'
Irene considered this. 'Possibly,' she said. But it was unsatisfactory.
'Or maybe the caterers,' Andrew said. 'I saw them bustling around setting things up...' His voice broke. He seemed about to cry. 'Oh God, Irene, it's a terrible mess.'
'I know,' she agreed, as if they were talking about a rain-cloud or some other unavoidable irritation to the day.
'And I suppose I should tell Martin, he's been fussing so much about the etiquette of it all and getting things in the right order. In a way he may be relieved...' Andrew gave a nervous little laugh but hastily corrected himself. 'But sorry, of course, mainly sorry, of course, very, very sorry that things haven't worked out.'
'Yes. Of course,' Irene agreed politely.
'And the bridesmaids? Don't you think we should tell Rosemary now, and Catherine? And that you should ring Rita and tell her... and tell her... that... well that...'
'Tell her what, exactly?'
'Well, tell her that we've changed our minds...'
'That you've changed your mind, to be strictly honest,' Irene said.
'Yes, but you agree,' he pleaded.
'What do I agree?'
'That if it is the Wrong Thing to do, then it were better we know now than tomorrow when it's all too late and we are man and wife till death...' his voice ran out.
'Ah yes, but don't you see, I don't think we are doing the Wrong Thing getting married.'
'But you agreed...' He was in a panic.
'Oh, of course I agreed, Andrew, I mean what on earth would be the point of not agreeing? Naturally we can't go through with it. But that's not to say that I'm calling it off.'
'No, no, but does that matter as much as telling people... I mean now that we know that it won't take place, isn't it unfair to people to let them think that it will?'
'Yes and no.'
'But we can't have them making the food, getting dressed...'
'I know.' She was thoughtful.
'I want to do what's best, what's the most fair,' Andrew said. And he did, Irene could see that, in the situation which he had brought about, he still wanted to be fair.
'Let's see,' she suggested. 'Who is going to be most hurt by all this?'
He thought about it. 'Your parents probably, they've gone to all this trouble...' He waved towards the garden where three hundred merrymakers had planned to stroll.
'No, I don't think they're the most hurt.'
'Well, maybe my uncle, the whole way back from Africa and he had to ask permission from a bishop. Or my grandmother... or the bridesmaids. They won't get a chance to dess up.' Andrew struggled to be fair.
'I think that I am the on who will be most hurt.' Irene's voice wasn't even slightly raised. It was as if she had given the problem equally dispassionate judgement.
'Im mean, my parents have other daughters. There'll be Rosemary and Catherine, one day they'll have weddings. And your uncle, the priest... well he'll have a bit of a holiday. No, I think I am the one who is the most upset, I'm not going to marry the man I love, have the life I thought I was going to.'
'I know, I know.' He sounded like someone sympathising over a bereavement.
'So I thought that perhaps you'd let me handle it my way.'
'Of course, Irene, that's why I'm here, whatever you say.'
'I say we shouldn't tell anyone anything. Not tonight.'
'I won't change my mind, in case that's what you're thinking.'
'Lord no, why should you? It's much too serious to be flitting about, chopping and changing.'
He handed their future into her hands. 'Do it whatever way you want. Just let me know and I'll do it.' He was prepared to pay any price to get the wedding called off.
But Irene didn't allow herself the time to think about that. 'Let me be the one not to turn up,' she said. 'Let me be seen to be the partner who had second thoughts. That way at least I get out of it with some dignity.'
He agreed. Grooms had been left standing at the altar before. He would always say afterwards that he had been greatly hurt but he respected Irene's decision.
'And you won't tell anyone?' she made him promise.
'Maybe Martin?' he suggested.
'Particulary not Martin, he'd give the game away. In the church you must be seen to be waiting for me.'
'But your father and mother... is it fair to leave it to the last minute?'
'They'd prefer to think that I let you down rather than the other way. Who wants a daughter who has been abandoned by the groom?'
'It's not that...' he began
'I know that, silly, but not everyone else does.' She had stopped creaming her hands. They talked like old friends and conspirators. The thing would only succeed if nobody had an inkling.
'And afterwards...' He seemed very eager to know every step of her plan.
'Afterwards...' Irene was thoughtful. 'Oh, afterwards we can go along being friends... until you meet someone else... People will admire you, think you are very forgiving, too tolerant even... there'll be no awkwardness. No embarrassment.'
Andrew stood at the gate of the big house to wave goodbye; she sat by her window under the great laburnum tree and waved back. She was a girl in a million. What a pity he hadn't met her later. Or proposed to her later, when he was ready to be married. His stomach lurched at the thought of the mayhem they were about to unleash the following day. He went home with a heavy heart to hear stories of the Missions from his uncle the priest, and tales of long-gone grandeur from his grandmother.
***
Martin had read many books on being Best Man. Possibly too many.
'It's only natural for you to be nervous,' he said to Andrew at least forty times. 'It's only natural for you to worry about your speech, but remember the most important thing is to thank Irene's parents for giving her to you.'
When they heard the loud sniffs from Andrew's grandmother, the Best Man had soothing remarks also. 'It's only natural for elderly females to cry at weddings,' he said.
Andrew stood there, his stomach like lead. Since marriage was instituted, no groom had stood like this in the certain knowledge that his bride was not just a little late, or held up in traffic, or adjusting her veil — all the excuses that Martin was busy hissing into his ear.
He felt a shame like he had ever known, allowing all these three hundred people to assemble in a church for a ceremony that would not take place. He loked fearfully at the parish priest, and at his own uncle. It took some seconds for it to sink in that the congregation had risen to its feet, and that the organist had crashed into the familiar chords of 'Here Comes The Bride'.
He turned like any groom turns and saw Irene, perfectly at ease in her father's arm, smiling to the left and smiling to the right.
With his mouth wide open and his face whiter than the dess she wore, he looked into her eyes. He felt Martin's fingers in his ribs and he stepped forward to stand beside her.
***
Despite the famous recall, Irene never told that story to anyone. She only talked about it once to Andrew, on their honeymoon, when he tried to go over the event himself. And in all the years that followed, it had been so obvious that she had taken the right decision, run the right risk and realised that their marriage was the Right Thing, there was no point in talking about it at all.

viernes 22 de mayo de 2009

Que famoso fotógrafo eres?

Which famous photographer are you?

Jerry Uelsmann: Known for multiple imagery and surrealism

"I think of my photographs as being obviously symbolic, but not symbolically obvious.”

Personality Test Results

Click Here to Take This Quiz
Brought to you by YouThink.com quizzes and personality tests.


No lo conozco, pero creo que voy a investigar :)

martes 19 de mayo de 2009

http://xkcd.com/334/

Sometimes love is not enough. (I guess I'll keep waiting).

domingo 17 de mayo de 2009

Puteadas de sábado por la noche (escritas ya un domingo)

Tengo ganas de escribir algo acá, pero no sé bien qué. Casi siempre cuando me pasa eso, caigo en la repetición, en los escritos biligües alternando quizás canciones, o deshilachando pensamientos que, para qué? Si ya estaban bastante desordenados.
"Te extraño" no sería un tópico errado, pero me canso de decirselo (ni siquiera) a una pantalla. Hay feo olor y tengo frío, tengo sueño pero no ganas de dormir, cosas para hacer pero no ganas de hacerla. Maldito sábado, maldito mundo dominado por el dinero(?). Tengo ganas de maldecir, eso tengo. (Bien! Mi mal humor descubrió el motivo de este post!). Malditos los asesinos, malditos los ignorantes, malditos los capitalistas, malditos los imperialistas, malditos los racitas, malditos los facistas. (Y los peronistas también, ya que estamos). Malditos todos los ismos. Malditos los trenes, los subtes, los micros, los helicópteros, las distancias, malditas las nubes, el frío y la escarcha. Maldita yo por no tener una buena cámara. Maldito radiador, que no anda. Malditos los guantes de lana y las mallas, (por nunca saber como se escriben). Maldito el lápiz 4H que no tengo, el pasaje de valor que no hice, la hoja que no dibujé. Maldito Piti, Sabina, Norah, James y Jason, por entenderme. Maldito el que piense que la violencia se soluciona con más violencia. Maldito el que no sepa que las armas las carga el diablo (y las descargan los boludos). Maldito este post, que no sabe para donde correr.

Maldita lista de reproducción con música "tranquila", afanadamente fiel a un post anterior. Maldito vos, por hacerte extrañar :(

lunes 11 de mayo de 2009

Jornadas del sur - Agosto 2009 - Bahía Blanca

Hago un copypaste medio rapidito del arículo que subió Leo en su blog, sobre las Jornadas que se realizan este año en Bahía Blanca. Se agradece la difusión :)


A principios de Marzo salió del BBLUG (Bahía Blanca Linux Users Group) una idea excelente para seguir trabajando un año más en lo que a difusión de Software, tecnología y cultura Libre se refiere: realizar un evento de 3 días, con numerosas charlas, talleres y presentaciones artísticas dedicado especialmente a la zona sur (tanto de la provincia como también, prácticamente, del país). Grande fue mi sorpresa cuando nos invitaron (a gulBAC) a trabajar con ellos en la organización! Las mismas se realizarán los días 15, 16 y 17 de agosto de 2009 en la ciudad costera de Bahía Blanca (a 70 km de Tornquist y a alrededor de 650km de Buenos Aires). Es abierta (y pensada) para todo público, por lo que de seguro va a haber algo que les interese. Si tienen la posibilidad de venir, no lo duden ni un momento, no se van a arrepentir ;) .

Realmente espero, y siento, que esto va a ser un paso gigante para que la gente común conozca alternativas en materia de conocimiento, tecnología e informática en esta zona. Les paso a continuación, el Call for Charlas (invitación a que las personas que estén interesadas en dar charlas o ayudar de alguna manera envíen sus propuestas como así también propaganda directa del evento para el público en general) de las Jornadas que está ya circulando por las listas de mail.

Call for Charlas

Primeras Jornadas del Sur – http://www.jornadasdelsur.org.ar

Bahía Blanca – 15, 16 y 17 de Agosto

El grupo Jornadas del Sur invita a la comunidad de software libre a participar en las Primeras Jornadas del Sur. La temática del evento tratará sobre Cultura Libre, sin olvidarse de las raices de Software Libre, enfatizando la diversidad del movimiento. Complementando esto se dictarán talleres de carácter técnico/práctico de 2 a 4 horas de duración.

De esta manera los invitamos a participar enviando propuestas de charlas y talleres de Cultura Libre aplicada a:

  • Hardware
  • Sofware
  • Educación
  • Fotografía
  • Pintura
  • Diseño Gráfico
  • Edición de Sonido/Video
  • Filosofia
  • Cooperativismo, entre otras.

El autor de cada charla o taller seleccionado participará presencialmente como orador en el evento. En los casos en que sea realizado por varios autores, se permitirá un máximo de 3 oradores.

Agradeceremos la contribución de todos, en la difusión de este llamado y del evento en si, mediante artículos en blogs y la inclusión de banners diseñados para tal fin que se encuentran en http://www.jornadasdelsur.org.ar/banners

Dónde enviarlas

La solicitud para participar como orador de una charla o un taller deberá ser enviada mediante la página web creada a tal efecto: http://jornadasdelsur.org.ar/callforcharlas
Serán recibidas hasta el 15 de Junio inclusive.

Si lo deséan, podrán enviar archivos a la dirección de corréo cfc@jornadasdelsur.org.ar en los siguientes formatos:

  • Openoffice.org (presentaciones, documentos, gráficos)
  • HTML
  • Postscript
  • PDF
  • Texto plano
  • Inkscape

Licencia

Debe especificarse una licencia que permita a los organizadores del evento distribuir el material en un CD-Live o de Documentación y que permita ser descargado del sitio web. Se prefiere una licencia del tipo CC-BY-SA


5 meses más en BQMG

Nuevo rejunte de búsquedas extrañas, en otra nueva entrega de rejunte quincuamensual(?), o como les guste llamarle.

Diciembre: VISITAS 245
tope 1 de diciembre - 17 visitas

Enero: VISITAS 205
tope 30 de enero - 13 visitas

Febrero: VISITAS 196
tope 10 de febrero - 17 visitas

Marzo: VISITAS 217
tope 12 de marzo - 13 visitas

Abril: VISITAS 189
tope 16 de abril - 12 visitas


BÚSQUEDAS:
Diciembre
comics de ratones wtf!
actividades fisicas con churros uf, se me ocurren miles (qué?! estaba pensando en "salto con churro" en lugar de jabalina y en "churro al blanco"..)
como se llama la cancion que dice i can feel in my mool dice "I can't change my mold" y se llama Bittersweet simphony..
descuidos se le vio la cuca y a mi que me importa?
magalí salinas fotolog aaah, me tenía re calada, jajaja

Enero
bentasde c0mida parallebar marche comida para llevar, un diccionario y una barra espaciadora para el señor de la mesa 3
como levantar una moneda del suelo sin que te rompan el culo hay un invento copado, se llaman pantalones.
y el super combo del mes:

existe en el mundo alguien con un GRAN trauma al respecto de los mensajes subliminales, y parece creer que va a encontrar una solución en mi.. :|

Febrero
en gta 4 en the special someone mato a draco o no no sé, yo jugué hasta el 3
i declare myself as guilty "ESO DÍSELO AL JUEZ!" jajaja donde decían eso?
norah jones cover by james blunt si eso existe, lo quiero!
qué significa "helado aplastado en la frente" mirate al espejo :)
matar a salinicious.blogspot.com presiento que alguien no me quiere.....

Marzo
adolescente altisimo estás en el lugar equivocado.. u.u
peteras fotogenicas poné Tinelli
por què mierda me duele los huesos de los pies?? probaste comprarte las zapatillas un talle más grande?
tarea buscame una foto de un pollo amarillo TENGO UNA! =D ajajaajaja varias en realidad.

Abril
faaaaassssso porqué llegará la gente a mi blog buscando eso? =O
jeims blant guat de fac
porque decimos que las botellas transpiran cuando la sacamos de la heladera? porque les da calorcito,

Jajjajaja, yyyy como siempre todos los meses la más buscada es "levadura vencida" :|
En segundo lugar llegan buscando letras de algunas canciones (princesa, zanguango, lago en el cielo, o alguna de evanescence..)

domingo 10 de mayo de 2009

Hidden hero(ine)

The big problem is: I like saving people.
Like the kind of hidden heroes in movies or series, I like meeting people who's got huge problems. Being there for them, helping them, listening to them, feeling their problems as if they were mine, thinking how can I solve them..
Maybe because they make me forget about my own problems, my own life, at least a few minutes or hours or probably days. It's so much easier stop being yourself a few times a month. Your soul goes back to your own body some sort of rejuvenated. With new thoughts, new solutions, new decisions. Also probably, new fears. But it's excited and feels like she, your soul, wants to explode inside of you with new answers and jump back into another body, and solve another puzzle. Make another person smile.
That, in this case, would be the big problem: I like making people smile. But I'm an awful comedian.

martes 28 de abril de 2009

Too much!

JAJAJAJAJAJAJAJAJAJAJJA.. NA, NO PUEDE SER, JAJAJAJA NO PUEDE HABERME CAUSADO TAAAANTO UN CÓMIC, JAJAJAJA POR DIOS, LO MEJOR QUE VI EN MI VIDA!


http://xkcd.com/175/

Thank you(L

Gracias, por lo que acaba de pasar me poblaste de una semana o dos de sueños cálidos y seguramente placenteros. De esos que hacen que llegue tarde a cursar, por no querer levantarme y por cerrar los ojos fuerte y continuarlos, aún sabiendo que YA me desperté. No los cambio por nada! =)

(Me voy a dormir, ya era hora de empezar una buena racha. Miss you, honey. Menos, o más que antes?)

miércoles 22 de abril de 2009

Mixer machine

Hacía un tiempo que no aparecía por acá, porque no tenía nada que considere que merece expresar publicamente, ninguna opinión ni sentimiento, nada que me indigne, nada que me mantenga sin dormir, o también probablemente porque eran demasiadas las cosas que pertenecían a esas categorías, y sumadas a la falta de tiempo, bueno.. no resultaba un cóctel demasiado bueno.
Hoy, que (creo) podría reunir todas esas cosas, meterlas en la licuadora y lograr un brebaje que a más de uno le daría un poco de asco, decidí dejar volar mi mente y porqué no?, mis dedos.

Time, is what we've got. Time, time, it never stops, you know? But it goes so slow, at the same time. "oh I won't hesitate no more, no more, it cannot wait, I'm yours. There's no need to complicate, our time is short, this is our fate, I'm yours." I listen to music and words come to me, people come to me, memories come, wishes come. And again, time comes to me. Time goes by, this time so much faster. " I'd like to buy a little bike, now, and drive over and see you". Ha, we go back to that. Missing you, it feels weird. "Y es que te extraño porque hace daño tenerte cerca y no poder tocarte.." Bue, cerca, cerca. Lo que se dice cerca no es. Pero se podría. Y cambia el tema, cambia el idioma, me dejo llevar por lo que escucho, me guía entre las cosas que me dan vueltas y se pierden. "And I learnt I was a liar, just like you". The song changes, again, the feeling too. Now is not Him anymore, now it's Her, my concern. Why does she do it? God knows. I wonder if He'll ever tell me. "Porque conozco yo el calibre de tus besos, ya no me dejo asesinar por esa boca.." Y volvemos a él, pero es otro él, es un él con aaaaños de aportes ya, un él al que me negaba a jubilar, pero cuando lo hice, descubrí que es mucho mejor para mi.. Y para él también. A mi ya no me pone obstaculos, y el es libre de descansar y ser feliz. "Sin tu voz caeré, no podré ilusionarme otra vez, porque el fuego que une nuestras almas moriré cuando deje de ver", un poco a la música que me sostiene, todos los días? "Y si llego a mi fin intentando seré un vencedor, porque es mejor intentar que morirse sin sentir tu voz", y no me preocupa, porque intento todos los días. I don't know. I never know, anything. It doesn't matter how much do I try, how much do I think. There are things that, well, I can't handle. Distance, for instance. This post would be another good example. I don't even know what is it about. It's in two different languages, it probably doesn't make sense, it's probably just more stupid senseless thinking, I don't mind. I like writing, I like thinking. Looking for solutions, looking for the whys. "Cause I'll make the same mistake again", yeah, but at least I'll know which one it is. I often let this kind of lines fall in a piece of paper, I've already got about 8. What's gonna happen with them, once life is not up to me? They're probably never gonna reach destiny. Why do I keep them? Why am I so afraid of losing my memories, my past? "In this great future you can't forget your past", I don't know, I like to belive I won't regret anything if I think twice, of more times. Would it be so bad if I had fallen again? Is not the first time, is not the second. But it is the second person. Is it more
appropriate this time? I think it's less. Why do I feel better? Why don't I regret it? It's better anyway, it's more than I've ever had.
This is taking a wrong direction, I think. Cause I was here to talk about lies, and lies is something I don't understand. As I don't understand betrayal. As I don't understand how could she. But that, is another story.

Creo que ahora quiero dormir.
*Creo que quiero verte, de hecho estoy segura. Creo que voy a escribirte. De eso, ya no puedo estar tan segura, pero mañana dirá.
*Creo que quiero verte, creo que voy a llamarte. My soldiers are all in the same side now, I think I finally made it.
*Creo que no quiero verte, creo que no voy a responderte. Dudo que me haga bien, dudo que cambies. "People don't change", thank you House, it's a good piece of advise, that one, and "Everybody lies".
And if you want me back, you're gonna have to ask nicer than that.

COME WHAT MAY.

jueves 26 de marzo de 2009

Un poco de todo

(Poco de todo, mas bien).
Aprovecho el huequito entre que me vestí y se hace la comida para reaparecer un poco =)

Antes que me olvidé, el otro día venía indignada en el colectivo (jajaja el otro día, hace como 2 meses ya) con una minita que le venía contando a otra:
"Ay, no sabés! Pili se cortó el pelo... flogger! Le queda horrible. Pareces una flogger boliviana le digo."
Directamente no voy a hacer comentarios al respecto u.u

Además (perdón, pero este es OTRO medio que aún no usé para descargarme) odio a mi profesora de inglés de los miércoles (porque voy dos días y tenemos profes diferentes).
Me molesta que hable en castellano en clase, que nos pregunte si sabemos lo que significa tal o cual palabra (algunas realmente obvias como "battle" o "effort") y encima nos interrumpa mientras leemos para eso, que no sepa ella misma las palabras que le preguntamos, buee podría seguir así por años pero se me enfrían los fideos x)

Estaré viniendo esporádicamente cuando no esté cursando ni en inglés ni de joda, =P muchas gracias por su cooperación.
- MooL,. *